Alex Honnold: Some call him brave, a genius,some call him crazy, others call him stupid... whatever your angle, there's no denying that Honnold is carving out his own legacy, even when proverbially picking up Dan Osman's baton - I can only tip my hat to you sir - the level of commitment needed, where a mistake is unthinkable - when considering his movement, technique, ability and courage... it does lean very strongly toward art! Age: 28 Country: USA Occupation: Professional rock climber Known for: Being a mind bogglingly astounding rock climber. Free solo ascents of big walls (including his recent work on half-dome El Capitan in the Yosemite National Park) Random Facts:
The next video is fairly "tame" by his standards, but the scenery and photography is just breathtaking. Reminder: click the full screen button when viewing - its a lot better that way! This one's more like it - The second half of this short clip from 'Alone on the Wall' is heart in mouth stuff! If you've got time to spare, here's the link to the piece on him by 60 Minutes. The video below by The North Face I found on "Never Stop Exploring" - you can find the link at the bottom of the post. “When all the movements just feel so crisp, and precise and perfect, you don’t feel pain in your fingers so much. You can tork on them super hard…you just feel stronger…”
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Mark Twain, AKA Samuel Langhorne Clemens (1835 - 1910), as Publisher's Weekly once noted: "this manic, profound, daft and provocative mad genius of American culture." Author of the so-called, 'Great American novel': Adventures of Huckleberry Finn (and the one he wrote before that, The Adventures of Tom Sawyer). Hence, he's often called the 'great American novelist'. With that intro, plus the fact that his works and philosophies are enjoying a resurgence in modern literature and even political commentary, it's no stretch to think he'd have tips and relevant opinions on writing itself. Here then is his 18 tips on writing, followed by a short story which I thought appropriate for the sake of this blog - and my writing career. "To succeed in life, you need two things: ignorance and confidence." - - Twain Mark Twain's Rules for Writing 1. A tale shall accomplish something and arrive somewhere. 2. The episodes of a tale shall be necessary parts of the tale, and shall help develop it. 3. The personages in a tale shall be alive, except in the case of corpses, and that always the reader shall be able to tell the corpses from the others. 4. The personages in a tale, both dead and alive, shall exhibit a sufficient excuse for being there. 5. When the personages of a tale deal in conversation, the talk shall sound like human talk, and be talk such as human beings would be likely to talk in the given circumstances, and have a discoverable meaning, also a discoverable purpose, and a show of relevancy, and remain in the neighborhood of the subject in hand, and be interesting to the reader, and help out the tale, and stop when the people cannot think of anything more to say. 6. When the author describes the character of a personage in his tale, the conduct and conversation of that personage shall justify said description. 7. When a personage talks like an illustrated, gilt-edged, tree-calf, hand-tooled, seven-dollar Friendship's Offering in the beginning of a paragraph, he shall not talk like a Negro minstrel at the end of it. 8. Crass stupidities shall not be played upon the reader by either the author or the people in the tale. 9. The personages of a tale shall confine themselves to possibilities and let miracles alone; or, if they venture a miracle, the author must so plausibly set it forth as to make it look possible and reasonable. 10. The author shall make the reader feel a deep interest in the personages of his tale and their fate; and that he shall make the reader love the good people in the tale and hate the bad ones. 11. The characters in tale be so clearly defined that the reader can tell beforehand what each will do in a given emergency. An author should 12. _Say_ what he is proposing to say, not merely come near it. 13. Use the right word, not its second cousin. 14. Eschew surplusage. 15. Not omit necessary details. 16. Avoid slovenliness of form. 17. Use good grammar. 18. Employ a simple, straightforward style. "The fear of death follows from the fear of life. A man who lives fully is prepared to die at any time." My debut As a Literary Person Short Story by Mark Twain In those early days I had already published one little thing ('The Jumping Frog') in an Eastern paper, but I did not consider that that counted. In my view, a person who published things in a mere newspaper could not properly claim recognition as a Literary Person: he must rise away above that; he must appear in a magazine. He would then be a Literary Person; also, he would be famous--right away. These two ambitions were strong upon me. This was in 1866. I prepared my contribution, and then looked around for the best magazine to go up to glory in. I selected the most important one in New York. The contribution was accepted. I signed it 'MARK TWAIN;' for that name had some currency on the Pacific coast, and it was my idea to spread it all over the world, now, at this one jump. The article appeared in the December number, and I sat up a month waiting for the January number; for that one would contain the year's list of contributors, my name would be in it, and I should be famous and could give the banquet I was meditating. I did not give the banquet. I had not written the 'MARK TWAIN' distinctly; it was a fresh name to Eastern printers, and they put it 'Mike Swain' or 'MacSwain,' I do not remember which. At any rate, I was not celebrated and I did not give the banquet. I was a Literary Person, but that was all--a buried one; buried alive. My article was about the burning of the clipper-ship 'Hornet' on the line, May 3, 1866. There were thirty-one men on board at the time, and I was in Honolulu when the fifteen lean and ghostly survivors arrived there after a voyage of forty-three days in an open boat, through the blazing tropics, on ten days' rations of food. A very remarkable trip; but it was conducted by a captain who was a remarkable man, otherwise there would have been no survivors. He was a New Englander of the best sea-going stock of the old capable times--Captain Josiah Mitchell. For the full story, click HERE "Patriotism is supporting your country all the time, and your government when it deserves it." When he died, American newspapers declared (typically arrogant, though somewhat retrospectively prophetic) "The whole world is mourning", The following quote is perhaps his most famous... "Truth is stranger than Fiction, but it is because Fiction is obliged to stick to possibilities; Truth isn't." Benjamin John Howard - aka, Ben Howard... is a man who knows how to make music. If you're tired of the superficial, overproduced, loud collaborations of the music industry today (despite many of them actually possessing some talent - only to be drowned out by commercialism), then I implore you to lend your ears to this man's sound. It's deep, it's instrumental and some might even call it an acquired 'genre specific' taste (only if you like this type of music) - regardless of your taste-buds, you will have to admit that whatever he does, he does it well. He's the sort of musician that's a rather rare or dying breed in the modern music landscape - a throwback to the acoustic artists of old. Rising to prominence in Britain in 2008 (at the age of twenty) with his first self released EP (followed by two more in the next two years), he finally released his debut album Every Kingdom in 2011. His early fame can be attributed to word-of-mouth advertising, gaining traction through the most personal of mediums. So, from humble beginnings in rural Devon, spending considerable time out on the waves surfing (when not playing music), to being featured on David Letterman's Late Show. Officially released late last year, his latest EP The Burgh Island (named after a tidal island off the Devon coast) is, in my humble opinion, a bold and intriguing step up from his debut album which is still entrenched in my playlist. I've played that album to death but it seems to never tire, and now this... The Burgh Island EP, which only contains four songs: Esmerelda, Oats in the Water, To Be Alone and Burgh Island - all of which I listen to on repeat. His new sound is rich, dark and brooding, and personally, I can't get enough - The contrast in album/EP covers is a clear indication of the change in direction he's taken. There is of course the similar sound to all his tracks - the common thread - (it is his voice after all), but each one has a distinctive personality; some will make you sit still and listen, others will be slower in drawing you in, while others still will have you with your eyes shut in plain appreciation. He has a variety of instruments at his disposal which sometimes flirts with a few jazz notes in the way his songs sometimes don't quite resolve, but he's never afraid to push the envelope whilst keeping everything centered on the strings of his acoustic guitar. This may sound corny or preachy, but at twenty five - one of the things most impressive is the maturity in not only his voice (both vocally and artistically) but also in his lyrics. But enough writing, lets get to the listening (and looking), so you can soak in the melodies... (FYI - I updated these videos - The previous vimeo vid I posted of 'Oats in the water' was a fan-made video - still beautiful mind you - but these two were taken from Ben Howard's official Youtube channel) Here's a (I think anyway) fan made video of the mesmerizing song Esmerelda of the Burgh Island EP. Ben Howard quotes: "'Black Flies' is the best song I've ever written" "We’re getting a bit more creative with the songs and I’m looking forward to doing some solid rehearsal days and adding a few new instruments" "Anyone’s debut record becomes their greatest hits really... "It comes down to the mental space you’re in; the songs just depend on how much you invest in them. If you really put your heart and soul into them and believe in what you’re singing or what you’re playing, then it comes across. That slightly loose edge when you’re not overly conscious of what you’re doing, but you’re really in tune with what you’re singing about." "Once you get onto a D28, you don’t really go back" - (referring to his Martin guitar) We’re getting a bit more creative with the songs and I’m looking forward to doing some solid rehearsal days and adding a few new instruments "Ben brings a crisp freshness to the world of acoustic troubadours, he’ll make you feel like it’s the first time you’ve ever heard anything like it, but still having a rootsy lustre seemingly as old as the country side in which he wrote the songs Like on FACEBOOK Follow on TWITTER Link to BEN HOWARD's Official Website Ben Howard music channel on YOUTUBE Is Art stagnating? Where is modern art going? Will we ever see another Michaelangelo, Da Vinci, Raphael, Modigliani, Picasso, Monet, Manet, Van Gogh or Pollack? Logically, when you think of it in context, my instincts says “NO”… they were all innovators (paying specific attention to painting here) – pioneers, but has everything that can be done in the art of ‘paint of canvass’, already been accomplished. Of course that’s what the challenge is for today’s artists – to be the next big thing, to forge a new path, a new direction in their field. Part of the problem, in my opinion, is that too many people want to be the next great artist… just hear me out here. Here’s what I mean: The oldest art school in the world, still active today, is a little over two hundred years old, yet in its early days it’s pretty safe to say that few people knew about it (although art schools existed as far back as the Middle ages - VanEyck in Flanders f.e. 13 -1400's. (Michelangelo, just by the way, learned through early apprenticeships, first as a 13 year old working under Florence painter Domenico Ghirlandaio, and then under a retired sculptor, creating his first major sculpture at the age of 17 - The Battle of the Centaurs.) Then you think about how many art schools there are in the world today, anyone with vague artistic flair can apply, and a percentage of those applicants will manage to forge a career in the art world, most finding their place, or niche, within the corporate/commercial world. What this means is that art has grown exponentially in the last century, accessible to every household – which is, for clarification, a VERY GOOD thing. Many will argue that that was (and was for the renaissance crowd) the ultimate goal of those earlier pioneers – to bring art to every person. Art is part of life. Without art, the world would be an unliveable place for most. Plainly put, we need art as an outlet of our creative selves… the sad reality of it though, is that all forms of global art forms might have diluted the craft. The trouble now is distinguishing the good from the brilliant, and then there are the blatant publicity stunts… (I’m not a fan of blank white walls or installation art – using light fixtures for instance). Media has played a huge part in the dilution of the craft. I think there are many new forms that have popped up recently that grab me – performance art (using a large crowd of people) as well as sand art (creating pictures and stories using sand on an illuminated screen). And yet, can we say that there is a definitive new art form or artist/painter, who is doing something new and revolutionary, and will be talked about for many years to come, much in the same vein as the artists of old. I heard it put a different way: The experts and genuinely gifted artists of today are pushing the envelope – but are they just doing it in incremental fashion – a little at a time. Where is the giant leap forward (or sideways) in the thinking and/or application on creating something people have never seen before? I admittedly am not on the pulse of what’s the most spoken about thing in the art world right now, but like many, am very receptive and attentive to it, always on the lookout for something that will grab my attention whilst also admiring the works of old. When you think about it, Art as we know it today, where everyone can say they know an artist, is very new – yes it has been around for as long as people have – noting rock paintings etc… but artists in the truest and purist sense of the word were always rare and in certain places revered, they certainly were not on virtually every street corner, so in a way it’s a catch 22 scenario… you want art to be present in some form or another in every household, but I for one, still want that something new, which will be universally recognised as something no one has ever seen before. My prediction: The next great artist or art form (in the purest sense) will come from Africa. I’m not saying that just because I’m African but because I believe it’s the most untapped resource in the global context. Admittedly though, I do say this more out of hope and prayer. For it to happen, something in the art industry must be corrected; that of the “classification system”. You may have, once upon a time, come a upon a curio in your day, I speak specifically of those wooden animal statuettes. You can go around, round up 100 to 1000 people and give them all a lump of wood and say “carve something that will sell” – I’m betting you’ll only find a couple worth keeping (let alone worthy of a sale), yet this industry (somehow has been shunted from labelled as sculpturing) is relegated by the art industry and labelled “Arts & Crafts”. Just because someone doesn’t own a degree or even a formal education (specifically in the Arts), does not mean that person’s work is less good, or less relevant. That individual was inspired by a variety of things, most times pure circumstance, whatever the case; the result is a piece of art which they have toiled over, more often than not with their entire livelihood at stake… Just the other day I saw paintings of a 5 year old American boy selling for thousands of dollars (and that with no tertiary training); hence formal education has little to do with the product. It says something that practically all the great artists were poor in their day, some even trading their works for a meal… living, creating, day by day… So, to conclude; on the earlier question of art stagnating, and thence the future of Art... Art has been described as an indefinable and boundless thing/form, meaning the possibilities are endless, and as is so often the case when initially exploring a theory on a topic (in this case), one is enlightened and finds new avenues. Here's a quote of an artist friend of mine who was happy to share his opinion on what the future holds: The next great artist and art form will be found in the digital environment, is my opinion. We are still in an experimental stadium... Technique is taking all over, so obviously this also will happen in art… So, the Digital environment then, as the world wades through the plethora of new technology and how best to apply/implement it in/to our lives - so Art is in a veritable stage of self rediscovery (hence the labyrinth image) - exploring where it will venture to next. If you're still in the dark on this, then I urge you to explore it. Here's some images and quick links into this realm - the future: Digital Art - (& mini Artist Feature) |
[Banner illustration by Joel Kanar]
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